"Zigeunerweisen, Op. 20: III. Un peu plus lent" by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Zigeunerweisen, Op. 20: III. Un peu plus lent's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Zigeunerweisen, Op. 20: III. Un peu plus lent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zigeunerweisen, Op. 20: III. Un peu plus lent by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ヴァイオリン・ソナタ 第1番 ト長調 作品78: 第2楽章: Adagio | Johannes Brahms, Akiko Suwanai, エフゲニー・ボザノフ | F♯ Minor | 1 | 11A | 144 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Suite No. 1 for Chamber Orchestra: I. Andante | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): II. Lento assai | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A♭ Major | 1 | 4B | 150 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Albumblätter, Op. 39: I. Moderato | Adrien La Marca, Danae Dörken | C Major | 1 | 8B | 112 BPM |