"Pelléas et Mélisande Suite, Op. 80: II. Fileuse" by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon had its release date on June 21, 2024. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Pelléas et Mélisande Suite, Op. 80: II. Fileuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne's "Gabriel Fauré" album is number 8 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pelléas et Mélisande Suite, Op. 80: II. Fileuse is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pelléas et Mélisande Suite, Op. 80: II. Fileuse by Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM | ||
Concerto for Violin and Strings: III. Largo | George Lloyd, Cristina Anghelescu, Philharmonia Orchestra, David Parry | F Major | 1 | 7B | 86 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 136 BPM |