"Symphony No. 40 in G minor K550: Allegro assai" by Munich Philharmonic Orchestra, Sergiu Celibidache was released on 1997. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 12 in Edition Vol. 1 - Mozart: Symphony No.40 & Haydn: Symphony No.92 by Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 40 in G minor K550: Allegro assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 40 in G minor K550: Allegro assai by Munich Philharmonic Orchestra, Sergiu Celibidache is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Nein, er agiert mir gar zu gut!" | Richard Strauss, Renée Fleming, Sophie Koch, Franz Hawlata, Munich Philharmonic Orchestra, Christian Thielemann | B♭ Major | 2 | 6B | 94 BPM | ||
Prodaná nevesta (The Bartered Bride): Overture | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | F Major | 3 | 7B | 136 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Kreisler) | Ludwig van Beethoven, Fritz Kreisler, Daniel Lozakovich, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Mahler: Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen" | Gustav Mahler, Sergiu Celibidache, Brigitte Fassbaender, Munich Philharmonic Orchestra | G Major | 1 | 9B | 65 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] | Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra | B♭ Major | 1 | 6B | 89 BPM | ||
Fünf Lieder, Op. 48: 4. Winterweihe | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Konzert für Flöte, Harfe und Orchester, C-Dur KV 299, Andantino | Various Artists | F Major | 0 | 7B | 76 BPM |