"Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987]" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra was released on January 1, 1998. Since Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Bruckner: Symphony No. 3 (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruckner: Symphony No. 3 in D Minor "Wagner Symphony": III. Scherzo. Ziemlich schnell (1889 Version) [Live at Philharmonie am Gasteig, Munich, 1987] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Mass No. 3 In F Minor, WAB 28: V. Sanctus | Anton Bruckner, Maria Stader, Claudia Hellmann, Ernst Haefliger, Kim Borg, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | D Minor | 1 | 7A | 85 BPM |