"Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Kreisler)" by Ludwig van Beethoven, Fritz Kreisler, Daniel Lozakovich, Munich Philharmonic Orchestra, Valery Gergiev was released on September 25, 2020. Since Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Kreisler) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Beethoven: Violin Concerto in D Major, Op. 61 by Daniel Lozakovich, Munich Philharmonic Orchestra, Valery Gergiev. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Kreisler) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Kreisler) by Ludwig van Beethoven, Fritz Kreisler, Daniel Lozakovich, Munich Philharmonic Orchestra, Valery Gergiev is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet in A Major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart, David Shifrin, Emerson String Quartet | A♭ Major | 1 | 4B | 140 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 2 | 10B | 105 BPM | ||
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee) | Franz Francois Schubert, Leonidas Kavakos, Péter Nagy | E Minor | 3 | 9A | 113 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
La Précieuse (in the style of Louis Couperin) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 80 BPM |