"Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte)" by Michel Plasson, Tatiana Troyanos, London Philharmonic Orchestra was released on 2004. Since Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Opera Classics, so we believe that "Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte)" is a single. Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) by Michel Plasson, Tatiana Troyanos, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica di Roma della RAI, Plácido Domingo | A♭ Major | 0 | 4B | 181 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Massenet: Don Quichotte, Act 4: "Lorsque le temps d'amour a fui" (Dulcinée) | Jules Massenet, Michel Plasson, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |