"Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin)" by Carl Zeller, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 23, 1995. With this song being about 5 minutes long, at 4:38, "Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin)" by Carl Zeller, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lucia Popp's "Great Moments of Lucia Popp" album is number 4 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin) by Carl Zeller, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 76 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
Mackeben: Die Dubarry, Scene 5: "Ich schenk mein Herz nur dem allein" (Jeanne) | Carl Millöcker, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Nabucco / Act 4: Immenso Jeovha | Giuseppe Verdi, Lucia Popp, Lucia Valentini Terrani, Plácido Domingo, Volker Horn, Piero Cappuccilli, Yevgeny Nesterenko, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 2 | 10B | 175 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Der Vogelhändler, Act I: "Na, ihr zwei?" | Carl Zeller, Kölner Rundfunkorchester, Franz Marszalek, Fritz Wunderlich, Luise Cramer, Antonia Fahberg, Kurt Großkurth, Ursula Herking, Friedrich Lenz, Fritz Eckhardt, Willy Hofmann, Heinz Erhardt, Barbara Gallauner, Kölner Rundfunkchor | A Minor | 8 | 8A | 124 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM |