"Five Negro Melodies for Piano Trio: II. I was way down a-yonder" by Samuel Coleridge-Taylor, Neave Trio had its release date on June 21, 2024. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Coleridge-Taylor: Five Negro Melodies for Piano Trio: II. I was way down a-yonder and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Five Negro Melodies for Piano Trio: II. I was way down a-yonder is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Negro Melodies for Piano Trio: II. I was way down a-yonder by Samuel Coleridge-Taylor, Neave Trio is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romanzen, Op. 94 (Version for Violin & Piano): No. 1, Nicht schnell | Robert Schumann, Friedemann Eichhorn, Fazıl Say | A Minor | 0 | 8A | 84 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano by Anonymous): II. Adagio | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | B♭ Minor | 4 | 3A | 84 BPM | ||
Voix intimes, Op. 45: No. 2, Espoir | Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur | A♭ Major | 0 | 4B | 169 BPM | ||
Deep River | Samuel Coleridge-Taylor, Frances Walker | E Major | 0 | 12B | 91 BPM | ||
Ballade in A Minor, Op. 33: II. A tempo - Tranquillo e molto espressivo | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | C Major | 1 | 8B | 113 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | C Minor | 2 | 5A | 65 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: First he danc’d a solemn measure | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | B♭ Minor | 2 | 3A | 63 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM |