"Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis" by Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent was released on February 18, 2013. With Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Samuel Coleridge-Taylor, Philharmonia Orchestra, Sir Malcolm Sargent's "Hiawatha's Wedding Feast" album is number 2 out of 22. Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis by Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Othello, Op. 79: V. Military March | Samuel Coleridge-Taylor, Chineke! Orchestra, Fawzi Haimor | C Major | 1 | 8B | 113 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Ruth Slenczynska | D♭ Major | 0 | 3B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |