"Bachianas brasileiras No. 5: II. Danza: Martelo" by Arleen Auger was released on January 1, 2000. Bachianas brasileiras No. 5: II. Danza: Martelo is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 13 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, Bachianas brasileiras No. 5: II. Danza: Martelo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bachianas brasileiras No. 5: II. Danza: Martelo by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Il matrimonio segreto / Act 1: Sento in petto un freddo gelo | Domenico Cimarosa, Alberto Rinaldi, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 1 | 6B | 106 BPM | ||
Non sa che sia dolore, BWV 209: Non sa che sia dolore, BWV 209: Aria: Ricetti gramezza e pavento | Arleen Auger | F Major | 0 | 7B | 83 BPM | ||
Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi" | Domenico Cimarosa, Ryland Davies, Dietrich Fischer-Dieskau, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | G Major | 2 | 9B | 86 BPM | ||
Requiem, Op. 48: Offertoire | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, Stephan Genz, La Chapelle Royale | D Major | 0 | 10B | 64 BPM | ||
Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto | Ludwig van Beethoven, Chor der Deutschen Staatsoper/Berliner Philharmoniker/Daniel Barenboim, Daniel Barenboim, Berliner Philharmoniker | C Major | 3 | 8B | 81 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM |