Domenico Cimarosa, Ryland Davies, Dietrich Fischer-Dieskau, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim's 'Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi"' came out on January 1, 1977. The duration of Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi" is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 45 in Cimarosa: Il matrimonio segreto by Domenico Cimarosa, English Chamber Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi" is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi" by Domenico Cimarosa, Ryland Davies, Dietrich Fischer-Dieskau, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Giannina e Bernardone, Act I Scene 8: Mezze monte aver girate | Domenico Cimarosa, Simone Perugini, Tuscan Opera Academy Orchestra, Irving Hussain, Laura Valdarnini | E♭ Major | 0 | 5B | 80 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Keyboard Sonata No. 74 in E-Flat Major: Largo - Allegro (Allegro moderato) | Domenico Cimarosa, Donatella Failoni | C Major | 3 | 8B | 108 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM |