Johann Strauss I, Gioachino Rossini, Franz von Suppé, Franz Lehár, Hermann Dostal, Jacques Offenbach, André Rieu made "Strauss Party" available on January 1, 2009. The duration of Strauss Party is about 3 minutes long, at 3:25. Based on our data, "Strauss Party" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 17 in Forever Vienna (standard mirror) by André Rieu, Dmitri Shostakovich, Émile Waldteufel, Emmerich Kálmán, Franz Lehár, Franz von Suppé, Gioachino Rossini, Giuseppe Verdi, Hermann Dostal, Jacques Offenbach, Johann Strauss I, Johann Strauss II, Josef Strauss, Juventino Rosas, Maurice Ravel, Traditional. In terms of popularity, Strauss Party is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Strauss Party by Johann Strauss I, Gioachino Rossini, Franz von Suppé, Franz Lehár, Hermann Dostal, Jacques Offenbach, André Rieu is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En vogue | Original C.M. Ziehrer Orchestra | F Major | 2 | 7B | 155 BPM | ||
On Fire | Michael Geisler, Banda de Música da Força Aérea Portuguesa, Artur Rouquina, António Rosado, Rui Silva | E♭ Major | 4 | 5B | 125 BPM | ||
80er Kult(tour) | Stadtorchester Andernach | D♭ Major | 5 | 3B | 86 BPM | ||
Carmen - Torerolied - Auf in den Kampf, Torero | Grosses Frankfurter Opern-Orchester, Carl Maria Huber, Georg Rainer | D♭ Major | 3 | 3B | 117 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
Demetrio e Polibio: Act I Scene 5: Ohime, crudel, che tenti, ah vile traditore … (Lisinga, Eumene, Siveno, Polibio, Chorus) | Gioachino Rossini, Dalmacio Gonzales, Giorgio Surjan, Christine Weidinger, Sara Mingardo, Anna Laura Longo, Martino Fullone, Bratislava Chamber Choir, Graz Symphony Orchestra, Massimiliano Carraro | D Major | 2 | 10B | 110 BPM |