Hans Christian Lumbye, Tivoli Symphony Orchestra's ' "Otto Allins Tromme-Polka (1864)" was released on its scheduled release date, December 10, 1997. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Otto Allins Tromme-Polka (1864)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 15 out of 16. Otto Allins Tromme-Polka (1864) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Otto Allins Tromme-Polka (1864) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Elverskud (Elf-King's Daughter), Op. 30: Second Part: VI. Andante sostenuto | Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt | A♭ Major | 1 | 4B | 103 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
Sec Et Musclé | Simon Kvamm, Troels Gustavsen, Tivoli Symphony Orchestra | D Minor | 1 | 7A | 73 BPM | ||
Semper Fidelis : Semper Fidelis | Slovak Radio Symphony Orchestra, John Philip Sousa | C Major | 3 | 8B | 117 BPM | ||
Bach: Toccata d-moll BWV 565 | Conrad Zwicky | D Minor | 1 | 7A | 105 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
Le Corsaire: Pas d Esclave - Lankendem Variation | J Zibin, English National Ballet Philharmonic, Gavin Sutherland | D Major | 1 | 10B | 173 BPM | ||
Napoli: Act II: The sea spirit Golfo is enchanted by her beauty | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | B♭ Major | 1 | 6B | 71 BPM | ||
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | D Minor | 2 | 7A | 171 BPM |