"Elverskud (Elf-King's Daughter), Op. 30: Second Part: VI. Andante sostenuto" by Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt had its release date on August 9, 1996. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Niels Gade's "Gade, N.: Elverskud / Fruhlings-Phantasie" album is number 7 out of 14. In terms of popularity, Elverskud (Elf-King's Daughter), Op. 30: Second Part: VI. Andante sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elverskud (Elf-King's Daughter), Op. 30: Second Part: VI. Andante sostenuto by Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 1. Von fremden Landern und Menschen | Robert Schumann, Nino Gvetadze | G Major | 0 | 9B | 68 BPM | ||
Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
Symphony No. 5 in D Minor, Op. 25: I. Allegro con fuoco | Niels Gade, Christopher Hogwood, Danish National Symphony Orchestra, Ronald Brautigam | D Major | 1 | 10B | 79 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Was mir behagt, BWV 208, "Hunt Cantata": Aria: Sheep may safely graze (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 94 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Jacks the Lad | Sir Henry Wood, Royal Philharmonic Orchestra | A Major | 2 | 11B | 92 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM |