Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank made "Gold und Silber (Gold and Silver), Op. 79: Waltz" available on January 1, 2015. Since Gold und Silber (Gold and Silver), Op. 79: Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Lehár, Various Artists, Tamás Bródy, Géza Oberfrank's "Gold and Silver" album is number 11 out of 15. On top of that, Hungary appears to be the country where this track was created. Gold und Silber (Gold and Silver), Op. 79: Waltz is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gold und Silber (Gold and Silver), Op. 79: Waltz by Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante | Wolfgang Amadeus Mozart, Annie Fischer, Budapest Symphony Orchestra, Ervin Lukacs | F Major | 1 | 7B | 172 BPM | ||
Flaggensalut, Polka schnell op.408 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 156 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Even Farther | Kentaro Sato, Budapest Symphony Orchestra | A♭ Major | 3 | 4B | 125 BPM | ||
Die lustige Witwe, Act II: Ha! Ha! Wir fragen, was man von uns will?! (Live) | Franz Lehár, Iurii Samoilov, Marlis Petersen, Barnaby Rea, Kateryna Kasper, Martin Mitterrutzner, Theo Lebow, Michael Porter, Klaus Haderer, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Joana Mallwitz | D Major | 4 | 10B | 97 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 1 | 7A | 114 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM |