"Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato" by Pyotr Ilyich Tchaikovsky, RTÉ National Symphony Orchestra, Stefan Sanderling was released on November 22, 1993. Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Tchaikovsky: Suites Nos. 1 and 2". In this album, this song's track order is #7. Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato by Pyotr Ilyich Tchaikovsky, RTÉ National Symphony Orchestra, Stefan Sanderling having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Piano Sonata in E Minor, Op. 7: III. Alla Menuetto, ma poco piu lento | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 78 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM |