"Violin Concerto, Op. 48: II. Andante cantabile" by Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch was released on September 1, 2002. Violin Concerto, Op. 48: II. Andante cantabile is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Dmitry Kabalevsky, Neeme Järvi, Bryden Thomson, Lydia Mordkovitch, Raphael Wallfisch, Royal Scottish National Orchestra, London Philharmonic Orchestra's "Kabalevsky: Violin Concerto & Cello Concerto" album is number 2 out of 6. Violin Concerto, Op. 48: II. Andante cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto, Op. 48: II. Andante cantabile by Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mutations from Bach | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 92 BPM | ||
Concerto for Violin and Orchestra in C major, op.48: 1. Allegro molto e con brio | Dmitry Kabalevsky, Gil Shaham, Russian National Orchestra, Mikhail Pletnev | F Major | 1 | 7B | 107 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Sylvia, ou La Nymphe de Diane Suite, Act I: No. 4a, Intermezzo | Léo Delibes, Neeme Järvi, Royal Scottish National Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
4 Norwegian Dances, Op. 35: No. 3 in G-Major: Allegro moderato alla Marcia | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |