"Uspud, Act III (Version for Piano): Nos. 53-54, Una legion de demons surgit de tous cotes" by Erik Satie, Alessandro Simonetto was released on December 10, 2021. With Uspud, Act III (Version for Piano): Nos. 53-54, Una legion de demons surgit de tous cotes being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 56 in the song's album "Satie: Esoteric Works, Vol. 2 – Vexations, Uspud, Messe des pauvres". In this album, this song's track order is #39. Based on our statistics, Uspud, Act III (Version for Piano): Nos. 53-54, Una legion de demons surgit de tous cotes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Uspud, Act III (Version for Piano): Nos. 53-54, Una legion de demons surgit de tous cotes by Erik Satie, Alessandro Simonetto having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
...pour appeler la joie (Charme VI) | Federico Mompou, Arcadi Volodos | E Major | 0 | 12B | 0 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | ||
Gnossienne: No. 1 (Arr. for Viola and Harp) | Carrie Frey, Sonia Bize | F Major | 0 | 7B | 75 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 87 BPM |