"Gnossienne: No. 1 (Arr. for Viola and Harp)" by Carrie Frey, Sonia Bize was released on March 31, 2023. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Gnossienne: No. 1 (Arr. for Viola and Harp) and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Gnossienne: No. 1 (Arr. for Viola and Harp) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gnossienne: No. 1 (Arr. for Viola and Harp) by Carrie Frey, Sonia Bize to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Godfather Waltz | Nino Rota, Daniel Hope, Christoph Israel | G Minor | 3 | 6A | 101 BPM | ||
The Red Violin Caprices: Variation 3 | John Corigliano, Philippe Quint | E Major | 1 | 12B | 81 BPM | ||
Cello Sonata in A Minor, Op 36: III. Allegro molto e marcato (Arr. Viola) | Carrie Frey, Robert Fleitz | A Minor | 1 | 8A | 77 BPM | ||
Valse Melancolique No. 5 in E Minor | Carlos Marquez | E Minor | 1 | 9A | 86 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Nikolai Lugansky | D♭ Major | 0 | 3B | 130 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Cavatina | Stanley Myers, Andrés Madariaga, Maria-Theresa Freibott, Duo Multicorde | E Major | 1 | 12B | 91 BPM |