Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach made "Concerto For 2 キーboards in C Minor, BWV 1060: II. Largo ovvero adagio" available on September 20, 2000. With this song being about 5 minutes long, at 5:21, "Concerto For 2 キーboards in C Minor, BWV 1060: II. Largo ovvero adagio" by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach: Harpsichord Concertos III" album is number 2 out of 15. Concerto For 2 キーboards in C Minor, BWV 1060: II. Largo ovvero adagio is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto For 2 キーboards in C Minor, BWV 1060: II. Largo ovvero adagio by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerto for 2 Lire organizzate in C Major, Hob.VIIh:1: II. Andante | Joseph Haydn, Daniel Rothert, Philip Spatling, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 140 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | F Major | 1 | 7B | 131 BPM | ||
Symphony No. 34 in C Major, KV 338: III. Finale: Allegro vivace | Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 3 | 9B | 77 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM |