"L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell" by Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter was released on September 1, 2003. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 23 in Cambridge Singers Christmas Album by The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell by Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Je l'entends !" (Méphistophélès, Faust) | Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | F Major | 3 | 7B | 116 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 76 BPM |