"Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon)" by Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg was released on October 24, 2017. The duration of Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) is about 3 minutes long, at 3:20. Based on our data, "Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 68 out of 72 in Berlioz: Les Troyens by Hector Berlioz, Joyce DiDonato. Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) by Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13, Act I: C'est toi qu'enfin je revois! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Minor | 1 | 3A | 92 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Manon / Act 3: "Je suis seul...Ah, fuyez, douce image" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | E♭ Major | 3 | 5B | 178 BPM | ||
Rossini: Les soirées musicales: No. 8 La danza | Gioachino Rossini, Joyce DiDonato | A Minor | 2 | 8A | 75 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Schubert: Winterreise, Op. 89, D. 911: No. 10, Rast | Franz Schubert, Joyce DiDonato, Yannick Nézet-Séguin | B♭ Minor | 0 | 3A | 80 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Les Pêcheurs de perles, WD 13, Act II: Me voilà seule dans la nuit | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Julie Fuchs | F Major | 0 | 7B | 71 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria) | Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 134 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): II. Il pleure dans mon cœur | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM |