Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria)' had a release date set for January 1, 2012. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 8 out of 53. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria) by Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | C Minor | 0 | 5A | 101 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Violin Sonata in C Major, K. 296: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong | C Major | 2 | 8B | 94 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM |