"Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on May 15, 2020. With this song being about 5 minutes long, at 4:59, "Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Ravel: Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti) only contains only one song in the album, we like to consider this song as a single. Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Gaspard de la Nuit, M. 55: 1. Ondine - Live | Maurice Ravel, Lucas Debargue | D♭ Major | 1 | 3B | 167 BPM | ||
Echorus | Philip Glass, Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin | C Major | 0 | 8B | 120 BPM | ||
Don Giovanni, K. 527 / Act I: "Dalla sua pace" (Adapt. for Cello and Orchestra) | Wolfgang Amadeus Mozart, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Major | 1 | 6B | 89 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM |