"Tissue No. 6" by Philip Glass, Camille Thomas, Julien Brocal was released on September 24, 2021. The duration of Tissue No. 6 is about 3 minutes long, at 3:17. Based on our data, "Tissue No. 6" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Glass: Tissue No. 6 (Musical Moments) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Tissue No. 6 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tissue No. 6 by Philip Glass, Camille Thomas, Julien Brocal to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
Prelude No. 1 | Federico Mompou, Stephen Hough | E♭ Major | 0 | 5B | 82 BPM | ||
The Lark - Live | Mikhail Glinka, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 84 BPM | ||
The Hours: Something She Has To Do (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | F Major | 0 | 7B | 174 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
Prelude Piano Variation (After Prelude from Violin Sonata in F Major, Op. 5, No. 10) | Arcangelo Corelli, Martin Stadtfeld | F Major | 2 | 7B | 78 BPM | ||
"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 2 | 7B | 117 BPM |