"Chaconne in G Minor" by Tomaso Antonio Vitali, Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen was released on February 21, 2020. Since Chaconne in G Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen's "Incantation" album is number 2 out of 7. On top of that, France appears to be the country where this track was created. Based on our statistics, Chaconne in G Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chaconne in G Minor by Tomaso Antonio Vitali, Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Light Cavalry Overture | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
Ernst: Grand Caprice, Op. 26 (After Schubert's "Der Erlkönig", D. 328) | Heinrich Wilhelm Ernst, Vilde Frang | G Minor | 3 | 6A | 97 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Carmina Burana / 1. Primo vere: "Veris leta facies" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | A Minor | 0 | 8A | 55 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM |