"West Side Story: Somewhere" by Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano was released on June 22, 2018. The duration of West Side Story: Somewhere is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. West Side Story: Somewhere's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bernstein: West Side Story: Somewhere and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of West Side Story: Somewhere is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of West Side Story: Somewhere by Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Jerusalem | Hubert Parry, Royal Philharmonic Orchestra, Owain Arwel Hughes | D Major | 2 | 10B | 95 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Amazing Grace | Anonymous, Jessye Norman, Ambrosian Singers, Royal Philharmonic Orchestra, Sir Alexander Gibson | F Major | 0 | 7B | 67 BPM | ||
Del cabello mas sutil | Fernando Obradors, Ruth Ann Swenson | F♯ Major | 0 | 2B | 79 BPM | ||
See, the Conqu'ring Hero Come from Judas Maccabaeus | George Frideric Handel, E. Power Biggs, Sir Charles Groves, Royal Philharmonic Orchestra | G Major | 0 | 9B | 76 BPM | ||
Take Care of This House - From "1600 Pennsylvania Avenue" | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | G Major | 1 | 9B | 75 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Peer Gynt, Op. 23: Solveigs sang (Solveig´s Song) | Edvard Grieg, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 0 | 5B | 90 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM |