"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso)" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Croquis et agaceries d'un gros bonhomme en bois: III. Españaña | Erik Satie, Philippe Entremont | D Major | 0 | 10B | 104 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | A Minor | 3 | 8A | 125 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 3. Presto | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
War Requiem, Op. 66 / Dies irae: IIi. Move Him into the Sun | Benjamin Britten, Sir Peter Pears, Galina Vishnevskaya, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Siegfried, WWV 86C / Act 2: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 0 | 8B | 58 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F♯ Major | 0 | 2B | 85 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Don Quixote: Act II: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Minor | 0 | 6A | 56 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: Nicht eilen. Sehr gemächlich | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Minor | 1 | 1A | 143 BPM |