"War Requiem, Op. 66 / Dies irae: IIi. Move Him into the Sun" by Benjamin Britten, Sir Peter Pears, Galina Vishnevskaya, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra was released on May 1, 1963. With this song being about 5 minutes long, at 4:50, "War Requiem, Op. 66 / Dies irae: IIi. Move Him into the Sun" by Benjamin Britten, Sir Peter Pears, Galina Vishnevskaya, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 30 in Britten: War Requiem by Benjamin Britten, Galina Vishnevskaya, Sir Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra. Based on our statistics, War Requiem, Op. 66 / Dies irae: IIi. Move Him into the Sun's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66 / Dies irae: IIi. Move Him into the Sun by Benjamin Britten, Sir Peter Pears, Galina Vishnevskaya, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM |