Robert Stevenson made "Chapter 1.2 - L'ile au trésor" available on January 1, 2012. The duration of Chapter 1.2 - L'ile au trésor is about 3 minutes long, at 3:29. Based on our data, "Chapter 1.2 - L'ile au trésor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Stevenson's "L'ile au trésor" album is number 2 out of 7. In terms of popularity, Chapter 1.2 - L'ile au trésor is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chapter 1.2 - L'ile au trésor by Robert Stevenson to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Télémaque & Calypso, Act III Scene 6: Prince, enfin je ne crains plus rien (Calypso, Télémaque) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Isabelle Druet, Antonin Rondepierre | F Minor | 2 | 4A | 79 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): III. Credo | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | F Major | 0 | 7B | 82 BPM | ||
Duos for Flute and Clarinet, Op. 24: No. 1, Andante sostenuto | Robert Muczynski, Séverine Rospocher, Elvira Querol | F Minor | 1 | 4A | 137 BPM | ||
Violin Sonata No. 1, Op. 6a, "Sonatina": II. Nocturne: Adagio e molto espressivo | Joseph Holbrooke, Kerenza Peacock, Robert Stevenson | C Major | 0 | 8B | 69 BPM | ||
Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Le Camus: On n'entend rien dans ce bocage | Sébastien Le Camus, Lea Desandre, Thomas Dunford | F♯ Minor | 0 | 11A | 66 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM |