"Violin Sonata No. 1, Op. 6a, "Sonatina": II. Nocturne: Adagio e molto espressivo" by Joseph Holbrooke, Kerenza Peacock, Robert Stevenson was released on August 2, 2011. Violin Sonata No. 1, Op. 6a, "Sonatina": II. Nocturne: Adagio e molto espressivo is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Joseph Holbrooke, Kerenza Peacock's "Holbrooke: Violin Concerto, 'The Grasshopper'" album is number 2 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Violin Sonata No. 1, Op. 6a, "Sonatina": II. Nocturne: Adagio e molto espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata No. 1, Op. 6a, "Sonatina": II. Nocturne: Adagio e molto espressivo by Joseph Holbrooke, Kerenza Peacock, Robert Stevenson to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1, Op. 52 "The Song of Gwyn ap Nudd": If. A tempo. The Armies of Night Are Abroad | Joseph Holbrooke, Hamish Milne, BBC Scottish Symphony Orchestra, Martyn Brabbins | A♭ Major | 1 | 4B | 102 BPM | ||
Miniatures for piano trio: Set 1: No. 3. Allegretto | Frank Bridge, Jack Liebeck, Alexander Chaushian, Ashley Wass | E Minor | 1 | 9A | 82 BPM | ||
In a Garden Full of Posies | Olive the Otter Dog | D♭ Major | 0 | 3B | 180 BPM | ||
Vals de Santo Domingo | Bullumba Landestoy, Carlos Manuel Vargas | D♭ Minor | 2 | 12A | 94 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Scheherazade Op. 35 (Transcr. for Piano by Florian Noack): II. The Story of the Kalendar Prince | Nikolai Rimsky-Korsakov, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Iberia, T. 105, Book 1: II. El puerto | Albéniz Albéniz, Peter Donohoe | D♭ Major | 1 | 3B | 76 BPM |