"Iberia, T. 105, Book 1: II. El puerto" by Albéniz Albéniz, Peter Donohoe was released on April 5, 2024. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Albéniz: Iberia, T. 105, Book 1: II. El puerto and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Iberia, T. 105, Book 1: II. El puerto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Iberia, T. 105, Book 1: II. El puerto by Albéniz Albéniz, Peter Donohoe is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Keyboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar) | Carlos Seixas, Bokyung Byun | C Major | 1 | 8B | 157 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Iberia "Suite pour orchestre": No. 3, Triana | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | F♯ Minor | 1 | 11A | 97 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |