Carlos Seixas, Bokyung Byun's 'キーboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar)' came out on June 10, 2022. The duration of キーboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. キーboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 13 in Clarice Assad, Brouwer & Others: Guitar Works by Bokyung Byun. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, キーboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of キーboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar) by Carlos Seixas, Bokyung Byun is Vivace (lively and fast), since this song has a tempo of 157 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme varie et finale | Manuel Ponce, Bokyung Byun | C Major | 0 | 8B | 110 BPM | ||
Trio Sonata in E Minor: I. Grave | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Preludios Epigramaticos: No. 4 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM | ||
Suite in E Minor: V. Les rappel des Oiseaux | Jean-Philippe Rameau, Sarah O'Brien | F Major | 0 | 7B | 104 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM |