"Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe" by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne was released on January 26, 2024. Since Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Marin Marais, Noémie Lenhof's "Marin Marais - Le Manuscrit Retrouvé" album is number 10 out of 13. On top of that, France appears to be the country where this track was created. Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
Christ ist erstanden(ユーデンケーニッヒ) Ⅳ - Lute & Viola | 小林武史 | G Major | 2 | 9B | 171 BPM | ||
Intrada à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
Sonata in G Minor: I. — | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 3 | 10A | 70 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Balletto a Quatro Detto 'Il Bianco Fiore' | Juan Carlos Rivera | D Major | 1 | 10B | 106 BPM |