[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)

Marin Marais, François Joubert-Caillet, L'Achéron
Marais: Cinquième livre de pièces de viole
3:13 2023年6月9日
テンポ
92
キー
A♭ Major
キャメロットミュージックキー
4B

リンクを埋め込む

共有

[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) - Marin Marais, François Joubert-Caillet, L'Achéron 情報

音響性
95%
ダンサビリティ
18%
エネルギー
4%
手段性
82%
活気
9%
ラウドネス
65%
話し言葉
3%
価数
16%
人気
ラウドネス
-21.114 dB

まとめ

"[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is about 3 minutes long, at 3:13. Based on our data, "[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 12 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) テンポ

We consider the tempo marking of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) キー

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Suite from Taffel-Consort: Volta by Thomas Simpson, Boreas Quartett BremenSuite from Taffel-Consort: VoltaThomas Simpson, Boreas Quartett BremenA♭ Major14B75 BPM
Manuscrit Panmure: [Couplets de] folies by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas WattinneManuscrit Panmure: [Couplets de] foliesMarin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas WattinneD♭ Major03B78 BPM
Purcell : King Arthur : Air by William ChristiePurcell : King Arthur : AirWilliam ChristieG Minor16A0 BPM
Suite in D Minor: IV. Canaries by Vieux Gaultier, Hopkinson SmithSuite in D Minor: IV. CanariesVieux Gaultier, Hopkinson SmithC Minor15A65 BPM
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) by James Oswald, La Rêveuse, Florence Bolton, Benjamin PerrotA Sonata of Scots Tunes: II. Ettrick Banks (Adagio)James Oswald, La Rêveuse, Florence Bolton, Benjamin PerrotD♭ Major13B95 BPM
Lachrimæ Antiquæ by John Dowland, Les Voix Humaines, Nigel NorthLachrimæ AntiquæJohn Dowland, Les Voix Humaines, Nigel NorthG Minor16A92 BPM
Sonata sesta for violino solo: I. Adagio by Daniel Purcell, Théotime Langlois de Swarte, Thomas DunfordSonata sesta for violino solo: I. AdagioDaniel Purcell, Théotime Langlois de Swarte, Thomas DunfordE Minor09A100 BPM
Dolce Memoria by Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro GarridoDolce MemoriaPaolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro GarridoA Minor18A85 BPM
Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London BaroqueMusiche sacre: No. 23, Canzon à 3Francesco Cavalli, London BaroqueA♭ Minor11A122 BPM
Folias echa para mi Señora Doña Tarolilla by Andrea Falconieri, United Continuo Ensemble, Jan Van ElsackerFolias echa para mi Señora Doña TarolillaAndrea Falconieri, United Continuo Ensemble, Jan Van ElsackerC Major28B77 BPM
ISRC
BER182245112
レコードレーベル
L-M Records/RCA Records