"[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is about 3 minutes long, at 3:13. Based on our data, "[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 12 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Manuscrit Panmure: [Couplets de] folies | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Lachrimæ Antiquæ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 92 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Dolce Memoria | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM |