"L'arlesienne: Act I: Prelude" by Georges Bizet, Gert Westphal, Andreas Pietschmann, Gisela Zoch, Martin Neubauer, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer was released on January 1, 1998. L'arlesienne: Act I: Prelude is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 1 out of 18 in Bizet, G.: Arlesienne (L') [Opera] by Georges Bizet, Helmut Froschauer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, L'arlesienne: Act I: Prelude is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'arlesienne: Act I: Prelude by Georges Bizet, Gert Westphal, Andreas Pietschmann, Gisela Zoch, Martin Neubauer, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
Moment musical N°3 | Franz Schubert, Sandrine Roche | A♭ Major | 1 | 4B | 104 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
La flûte enchantée: Ouverture | Wiener Philharmoniker | B♭ Major | 1 | 6B | 83 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
Carmen: Ouverture | Georges Bizet, Orchestre D'Harmonie De La Garde Républicaine, Francois Boulanger | A♭ Major | 0 | 4B | 118 BPM |