"Offenbach: La Périchole, Act 1: "Le conquérant dit à la jeune indienne" (Piquillo, La Périchole)" by Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg was released on 1976. The duration of Offenbach: La Périchole, Act 1: "Le conquérant dit à la jeune indienne" (Piquillo, La Périchole) is about 3 minutes long, at 3:01. Based on our data, "Offenbach: La Périchole, Act 1: "Le conquérant dit à la jeune indienne" (Piquillo, La Périchole)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Offenbach : La Périchole [Highlight]". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Offenbach: La Périchole, Act 1: "Le conquérant dit à la jeune indienne" (Piquillo, La Périchole) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Offenbach: La Périchole, Act 1: "Le conquérant dit à la jeune indienne" (Piquillo, La Périchole) by Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: La belle Hélène, Act 2: "Voilà, ca va mieux!" (Hélène, Bacchis, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | A♭ Major | 0 | 4B | 94 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 2: "Les oiseaux dans la charmille" (Olympia, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 98 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Offenbach: Die schöne Helena (Gesamt) 1. Akt (1994 Digital Remaster): Nr. 7b: Ich bin Ajax, Held im Kriege | Jacques Offenbach, Bavarian Radio Chorus, Brigitte Fassbaender, Martin Finke, Ferry Gruber, Klaus Hirte, Benno Kusche (Bariton), Norbert Orth, Willy Mattes, Friedrich Lenz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 4 | 10B | 80 BPM | ||
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude | Johann Sebastian Bach, Wilhelm Kempff | C Major | 1 | 8B | 102 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM |