Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part II. Overture in D major: III. Air: Vivace" available on October 21, 2010. The duration of Part II. Overture in D major: III. Air: Vivace is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Part II. Overture in D major: III. Air: Vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #12. Part II. Overture in D major: III. Air: Vivace is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Part II. Overture in D major: III. Air: Vivace by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 82 in E Minor: II. Fuga non troppo presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 84 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 0 | 7B | 94 BPM | ||
Suite No. 1 in C Major, BWV 1066: Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II | Johann Sebastian Bach, Freiburger Barockorchester | A Major | 0 | 11B | 115 BPM | ||
Trio Sonata in B-Flat Major, GraunWV A:XV:16: III. Allegro non troppo | Johann Gottlieb Graun, London Baroque | E Major | 2 | 12B | 136 BPM | ||
Scarlatti, A.: Concerto Grosso No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
Water Piece in D Major, HWV 341 (arr. for trumpet and orchestra): V. March | George Frideric Handel, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 131 BPM | ||
Concerto grosso in G Minor, Op. 3/2, RV. 578: III. Larghetto | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 80 BPM | ||
Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: II. Rondeau | Johann Sebastian Bach, Freiburger Barockorchester | E Minor | 1 | 9A | 68 BPM |