Carola Hohn, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen made "La gara degli dei: No. 2, "Qui raccolti eterni dei"" available on April 26, 2013. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 2 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: No. 2, "Qui raccolti eterni dei" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La gara degli dei: No. 2, "Qui raccolti eterni dei" by Carola Hohn, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Qui Paraclitus diceris | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Minor | 3 | 3A | 122 BPM | ||
Petrushka, K12 (1947 Version): IVf. The Masqueraders | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Lohengrin, WWV 75 / Act II: "Mein Held, entgegne kühn dem Ungetreuen" | Richard Wagner, Kurt Moll, Siegfried Jerusalem, Hartmut Welker, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Minor | 0 | 8A | 137 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | E♭ Major | 2 | 5B | 67 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Major | 4 | 2B | 94 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: II. Dies Irae: Tuba mirum spargens sonum - Mors stupebit | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | B♭ Major | 2 | 6B | 67 BPM |