"Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?"" by Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke was released on October 21, 2012. Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 5 out of 14 in Dubois: Les 7 paroles du Christ & 6 motets by Théodore Dubois, Various Artists, Bernard Lallement, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" by Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Adonis: Réveil D’Adonis | Théodore Dubois | A Minor | 0 | 8A | 116 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Petite Messe pour les morts: Offertoire | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | E♭ Major | 1 | 5B | 75 BPM | ||
12 Pieces Nouvelles : Douze Pieces: Toccata | Andrew Lucas, Théodore Dubois | G Major | 4 | 9B | 102 BPM | ||
Ave, Regina Caelorum | Dominican House of Studies | A♭ Major | 3 | 4B | 102 BPM |