"Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel" by Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. With this song being about 5 minutes long, at 4:35, "Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel" by Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel by Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande" | Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 102 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM |