Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon's 'Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren' had a release date set for September 7, 2009. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #3 out of 38 tracks. In terms of popularity, Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren by Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren being at 105 テンポ, the half-time would be 52 テンポ with a double-time of 210 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Bachianas Brasileiras No. 5, W389: Aria (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski | A Minor | 2 | 8A | 86 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Die Dreigroschenoper: 2. Dreigroschenfinale | Kurt Weill, Rolf Boysen, René Kollo, Helga Dernesch, RIAS Kammerchor, Rias-Sinfonietta Berlin, John Mauceri | G Minor | 2 | 6A | 79 BPM | ||
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM |