"Notre Père pour choeur a cappella" by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson was released on April 5, 2019. With Notre Père pour choeur a cappella being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 19 in Duruflé: Complete Choral Works by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Ken Cowan, Robert Simpson. Based on our statistics, Notre Père pour choeur a cappella's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Notre Père pour choeur a cappella by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM |