"Wings (Version for Mixed Choir)" by Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed was released on August 9, 2019. The duration of Wings (Version for Mixed Choir) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Wings (Version for Mixed Choir)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in SWR Vokalensemble Stuttgart, Marcus Creed's "Japan" album is number 12 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Wings (Version for Mixed Choir) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wings (Version for Mixed Choir) by Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in E Minor, WAB 27 (1882 Version): I. Kyrie | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Minor | 0 | 9A | 84 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Advance Democracy | Benjamin Britten, Collegium Vocale zu Franziskanern Luzern, Ulrike Grosch | E♭ Major | 0 | 5B | 132 BPM | ||
Crucero Weekend | Crucero Vibes | D♭ Major | 1 | 3B | 159 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Four Songs, Op. 17: I. Es tönt ein voller Harfenklang | Johannes Brahms, RIAS Kammerchor, Marie-Pierre Langlamet, Manfred Klier, Marcus Creed, Stefan Jezierski | D♭ Major | 1 | 3B | 106 BPM | ||
Urlicht | Gustav Mahler, Clytus Gottwald, Collegium Vocale Hannover, Florian Lohmann | D♭ Major | 0 | 3B | 138 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM |