Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail

Jacques Offenbach, Claudia Eder, Orchestre National De France, Seiji Ozawa
Jacques Offenbach: The Tales of Hoffmann
1:47 1989年1月1日
テンポ
137
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail - Jacques Offenbach, Claudia Eder, Orchestre National De France, Seiji Ozawa 情報

音響性
97%
ダンサビリティ
32%
エネルギー
11%
手段性
0%
活気
17%
ラウドネス
62%
話し言葉
5%
価数
14%
人気
ラウドネス
-22.523 dB

まとめ

"Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail" by Jacques Offenbach, Claudia Eder, Orchestre National De France, Seiji Ozawa was released on January 1, 1989. With Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacques Offenbach, Orchestre National De France, Seiji Ozawa's "Jacques Offenbach: The Tales of Hoffmann" album is number 15 out of 48. Based on our statistics, Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail テンポ

We consider the tempo marking of Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail by Jacques Offenbach, Claudia Eder, Orchestre National De France, Seiji Ozawa to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail キー

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: III. Intermezzo, Act 3London Festival Orchestra Alfred ScholzE♭ Major05B134 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - InstrumentalLudwig van Beethoven, Murray PerahiaA♭ Major04B62 BPM
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus)Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharD Major210B110 BPM
M. Glinka: Overture To Opera M. Glinka: Overture To Opera "Ruslan and Lyudmila"Chicago Symphony Orchestra, L. SmitA Major111B82 BPM
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt by Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás VasilekLes Contes d'Hoffmann / Act 2: Barcarolle - ExcerptJacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás VasilekF Major47B89 BPM
La Bohème / Act I: La Bohème / Act I: "Quando Me'n Vò"Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea NosedaF♯ Minor211A135 BPM
Carmen Ballet Suite (after Bizet): IX. Torero by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutCarmen Ballet Suite (after Bizet): IX. ToreroRodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutF Major57B115 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) by Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzBach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzE♭ Major05B110 BPM
Sorochintsi Fair, Act I: Gopak (Hopak) by Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanSorochintsi Fair, Act I: Gopak (Hopak)Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanG Major29B127 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records