"In Nomine No. 3 a 5: In Nomine No. 3 a 5" by William Byrd, The Rose Consort Of Viols, Clare Wilkinson was released on May 6, 2008. The duration of In Nomine No. 3 a 5: In Nomine No. 3 a 5 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. In Nomine No. 3 a 5: In Nomine No. 3 a 5's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 25 in Four Gentlemen of the Chapel Royal by The Rose Consort Of Viols, Clare Wilkinson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In Nomine No. 3 a 5: In Nomine No. 3 a 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Nomine No. 3 a 5: In Nomine No. 3 a 5 by William Byrd, The Rose Consort Of Viols, Clare Wilkinson is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Mass in G Minor: Gloria in excelsis | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Daniel Brown, James Adams, Michael Bell, William Ashford, Andrew Nethsingha | C Major | 0 | 8B | 143 BPM | ||
Alleluia Cognoverunt discipuli | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM |