"Alleluia Cognoverunt discipuli" by William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock was released on December 1, 2023. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 36 in Byrd: Sacred Works by William Byrd, Jeremy Filsell, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Gerre Hancock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Alleluia Cognoverunt discipuli is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alleluia Cognoverunt discipuli by William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Byrd: The Great Service - 03. Te Deum: We Praise Thee | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 136 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM | ||
Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM |