"3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands" by Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble was released on January 8, 2013. The duration of 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Etherea Vocal Ensemble, Derek Greten-Harrison, Noah Horn's "Hymn to the Dawn" album is number 9 out of 27. 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands by Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lotti: Crucifixus a 8 voci | Antonio Lotti, Philip Ledger | C Minor | 1 | 5A | 139 BPM | ||
I Give You A New Commandment | Peter Nardone, Anonymous, Michael Leighton Jones, John O'Donnell, The Choir of Trinity College, Melbourne | E Major | 1 | 12B | 88 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Mass in D major, Op. 86: 5. Benedictus | Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | G Major | 0 | 9B | 85 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM |