"Morning, Communion, and Evening Services, Op. 10: Te Deum laudamus" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha, Edward Picton-Tubervill, Oliver Brown, Thomas Lilburn, John Clapham, Augustus Perkins Ray had its release date on September 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "The Call - More Choral Classics from St John's". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Morning, Communion, and Evening Services, Op. 10: Te Deum laudamus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morning, Communion, and Evening Services, Op. 10: Te Deum laudamus by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha, Edward Picton-Tubervill, Oliver Brown, Thomas Lilburn, John Clapham, Augustus Perkins Ray having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | ||
O Most Merciful | Charles Wood, Choir of Gonville & Caius College, Cambridge, Gavin Roberts, Geoffrey Webber | G Minor | 0 | 6A | 139 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM |