Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan made "Sacred Heart (Ubi Caritas III)" available on June 7, 2019. With this song being about 5 minutes long, at 5:09, "Sacred Heart (Ubi Caritas III)" by Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Ola Gjeilo: Sunrise Mass". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Sacred Heart (Ubi Caritas III)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sacred Heart (Ubi Caritas III) by Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | F Major | 1 | 7B | 81 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Glory be to Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 79 BPM | ||
Come, Let Us Worship, Op. 8, No.2 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | A Major | 2 | 11B | 130 BPM | ||
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Entreat Me Not to Leave You | Dan Forrest, Westminster Williamson Voices, James Jordan | B♭ Minor | 1 | 3A | 104 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Close Distancing | Stacey Philipps, Oregon Repertory Singers, Ethan Sperry | G Major | 3 | 9B | 64 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM |